Emery Walker House is one of a terrace of mid-eighteenth century town houses on the bank of the river Thames at Hammersmith. Originally, access to the house was probablyvia the river and through the garden, but by the late nineteenth century the entrance from the terrace had become the main one. Thus we now have a garden which goes right down to the water’s edge.
We know that T J Cobden-Sanderson, bookbinder and co-founder with Emery Walker of the Doves Press, lived in the house until 1903. It was probably he who added the conservatory to the house and laid out the garden paths (we understand so his son could run his toy train round them). These are still in place today but the planting layoutoriginated with the next occupants of the house, Emery, and his daughter Dorothy Walker. Their plans were faithfully maintained by Dorothy’s companion, Elizabeth de Haas, who inherited the house and was its last occupant.
Dorothy kept a diary and copious notes as to what she planted in the garden which the Trustees of the house use to keep the planting as much to her choices of plants as possible.
Recently, Trustees and volunteers have been doing a lot of work on the garden as it had become quite overgrown. Thisled to the unearthing of a rockery (very fashionable in the 1930s) and renewing of some of the planting based on the diaries. Among the flowers Dorothy chose are white campanula, violas, Sweet Williams, delphiniums, asters and lupins, together with lavender and roses, the latter underplanted with cyclamens, now thick on the ground in spring. One of our volunteers was able to source an unusualdahlia which Dorothy loved called Baby Royal, which flowers prolifically in late summer.
At the same time one of the beds was almost completely cleared and we thought it would be appropriate to devote that to plants with an association with May Morris, William Morris’s daughter, who was a neighbour and a good friend of the Walkers, living next door at no.8 for many years. She was a greatly accomplished embroiderer and designer and gave theWalker family two embroideries now displayed in the house. Like her father, she drew on both cultivated and wild plants for inspiration and some of these are included in the west bed: honeysuckle and horn poppy recall the two wallpapers she designed for her father’s firm Morris & Co.; roses and lilies are accompanied by pinks and peonies, alongside common daisies and ragged robin. In the spring the bed is full of narcissi, violets and forget-me-nots, accompanied by more exotic parrot tulips.
In early summer a magnificent wisteria covers the back of the house and extends along the garden to the pergola beside the river. And inside, coming in through a hole in the wall of the conservatory is a very fine vine, believed to be grown from a cutting from Hogarth’s garden in nearby Chiswick.
Thus a small suburban garden is packed with choices and memories of a family which had close associations with the Morris family, who lived a ten-minute walk along the river at Kelmscott House.